Modern British Art by Albert de Belleroche: Study of a seated nude, left arm raised, circa 1890 | www.LLFA.uk

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Albert de Belleroche:
Study of a seated nude, left arm raised, circa 1890

Unmounted (ref: 5194)

Pencil, charcoal and brown chalk, 

16 3/4 x 11 in. (42.5 x 28 cm.)

Tags: life drawing women



Provenance: From the collection of Count William de Belleroche; thence by descent.

Belleroche was a founder member of the Salon d'Automne, exhibiting alongside the Impressionists and associating with Emile Zola, Oscar Wilde, Albert Moore, Renoir, Degas, Helleu, Toulouse-Lautrec and John Singer Sargetn.  He shared a studio with Sargent, who remained a life long friend, and taught Sargent the art of lithography.  Sargent made around ten portraits of Belleroche.

Belleroche's talent as a painter was recognized by his contemporaries - Degas owned three lithographs by Belleroche and in the early 1890s the French state acquired a painting for the Luxembourg Gallery. Roger Marx, the critic who discovered Renoir, was amongst Belleroche's fervent admirers, referring to him as 'le peintre des femmes decoiffĂ©es' (Gazette de Beaux-Arts, XLX, Jan 1905).  


Marx also fully acknowledged Belleroche's importance as painter-lithographer, writing in 1908: Belleroche holds a premier position in the current renaissance of lithography.  No one since Eugene Carriere has equaled Belleroche's technique or his understanding of lithography.  He is a master.... Indeed he is a painter-lithographer: he brings his subjects to life in moving light and shadows.  His ink creates tones which reach the limits of the joyous and profound... His art, born in a daylight which is its own justification, is created from love." (Roger Marx, Peintres-lithographes Contemporains:Albert Belleroche Gazette des Beaux-Arts I,  vol 39, 1908,  p. 74).


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