See all works by John McKenzie
Figures in a Sitting Room with Budgerigar, circa 1930
Framed (ref: 548)
Signed with initials
Polychrome carved wood, in the original oak frame,
15 x 9 1/2 in. (38 x 24 cm.)
Tags: Last Romantics True to Life catalogue
Provenance: The artists personal collection until 1972; the artist's housekeeper; thereafter by descent
Literature: John McKenzie, Liss Fine Art 2012, Cat. 17;
Patrick Elliot & Sacha Llewellyn; True to Life, British Realist Painting in the 1920s & 1930s, July 2017, ISBN 978 1 911054 05 4, Cat. 58, page103.
‘I keep on drawing and re-drawing until what I’ve produced simply asks to
be carved’ (John McKenzie, Abroath Herald, 1 February 1963).
remarkable work of John McKenzie has only recently come back to light.
Despite exhibiting his slates at the Royal Scottish Academy Summer
Exhibition, the Royal Glasgow Institute of Fine Arts, and in two solo
exhibitions at the Public Library in his home town of Abroath, he had
no interest in the commercial aspects of his work and sold no more than
a handful of sculptures during his lifetime. Using Welsh slate, and
working with engraver’s tools, he produced three to four reliefs a
year, which amounted to less than a hundred in his entire career.
day a charge-hand messman on HMS Condor (and later a railwayman), the
reclusive McKenzie indulged his passion for carving by night and at the
weekends. Producing in equal number scenes of contemporary life and
scenes of antiquity, it is especially in the former that he found his
most distinctive voice. His images, whether the carved wooden reliefs
of the 1930s, or works in slate that date from the late 1930s, are rich
in symbolism, which though often obscure is always engaging.
Liss Fine Art are currently preparing a catalogue of his work.
We are grateful to Paul Viney for assistance.